Our contribution to protect and enhance
the Cultural Heritage through innovation
The new digital era has radically changed the way we interpret our daily life. The role of institutions also had to adapt to changement, passing from “function” to “relationship”.
This transformation requires to accept the new challenges: especially in the sectors that nourishe through relationships (cinema, theater, music, museums,…).
The Smarticon model gives origin to an innovative knowledge model, applicable to any artifact on a global scale. One of the social trends of the 21st century is oriented towards the fusion of humanistic culture with the scientific method.
The changements have made it essential to fulfill the need to be able to benefit from remote and virtual experiences, which can “make up for” and “replace”, at least in part, the material presence.
Smarticon is a patented proprietary method, in charge of sorting information and its digital use.
It is a strategic instrument for the research for truth in artworks of art and is a prerequisite for their enhancement, use (even remote), conservation, fight against counterfeiting and much more.
Sara Penco's investigation starts from the insightful finding of the absence of a key figure in the fresco of the Last Judgment in the Sistine Chapel. Before this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an essential dialectic, had already hypothesized the presence of the Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly motivates her identification. Mary Magdalene is closely connected to the salient episodes of the life of Jesus...
SmSmarticon arises from a deep passion for art and for all that it represents.
Smarticon means “intelligent image” because, thanks to the applied cognitive technologies, it allows to investigate the work of art starting from the description of the subject (iconography) and to continue with the recovery and enrichment of all the information required to enhance the asset and in the research of the truth.
Sara Penco's investigation starts from the insightful finding of the absence of a key figure in the fresco of the Last Judgment in the Sistine Chapel. Before this illuminating research, Mary Magdalene was not unequivocally identified within Michelangelo's masterpiece. Father Pfeiffer, with whom Penco establishes an essential dialectic, had already hypothesized the presence of the Magdalene in the fresco, but it is the scholar, for the first time in these pages, who convincingly motivates her identification. Mary Magdalene is closely connected to the salient episodes of the life of Jesus...
